"GROG" CDS STILL AVAILABLE @ frog.band/merch

"Daniel’s humdrum American portraiture and embodiment of passionate persistence have defined Frog’s sound for nearly a decade, and on Grog, a brotherly bond encourages those songwriting traits to get louder, bolder, and weirder without sacrificing any of the heart." – PITCHFORK (pitchfork.com/reviews/albums/frog-grog)

"Remarkable...a gritty, idiosyncratic vignette of the city..." – STEREOGUM (www.stereogum.com/2242244/frog-new-ro/music)

"...a distinct, off-kilter personality that’s just slightly off in the best way possible. The end results are riveting—or should I say ribbeting?" – BANDCAMP DAILY (daily.bandcamp.com/essential-releases/essential-releases-november-17-2023)

"If there’s a central thesis to GROG, it’s that all boundaries of time, space, and sound are arbitrary: everything and everyone is just a little ugly, and they’re wonderful for it. By that same measure, GROG is a little ugly but also quite wonderful." – RANTIPOLE (ko-fi.com/s/1e81d4328f)

Full of hope, nostalgia, defeat and lust, Frog describe "GROG" as "both gothic and cartoonish." The album is full of the emotional Americana, weird wordplay, 70s pop experimentation, 90s guitar energy and 60s garage rock swagger that earned songs like "Judy Garland" and "You Know I'm Down" several million Spotify streams.

The cult NY duo have toured the UK and US, and received acclaim and airplay from the likes of NPR, BBC Radio 1, BBC 6 Music, BBC Scotland, DIY Mag, TLOBF and Clash Magazine. They were also the subject of the "Kings of Blah" documentary film in 2018 (www.youtube.com/watch?v=LsdG3UUBpnE).

FROM THE ARTIST:

"Grog took a long time – I had kids while making it, my job situation became a lot crazier. Sessions started in early 2020, I had twins in June 2020, and we finished mixing in summer 2023. My brother Steve became a real member of Frog for these recordings and I think the music we made together is a reflection of our relationship. It is a joy to make music with people you love.

There are really exciting places we were able to get to on this record, places that I didn’t know existed before I found them. It feels both gothic and cartoonish to me, big gargoyles, dark skies, storms, but the statues are of Ah! real monsters.

Every song is a step deeper into the abyss. At some point I’ve lost all ability to see the daylight and the darkness envelops me. The twilight bathes the snow as I put my skies back on to drift down the mountain- it is shocking how quiet the world is in the snow. Music is the only time I can ever feel alone.

If KoB is set in New York, and Count Bateman is set in LA in the 70s, this one I think is set in Hades. The whole thing is bathed in flames and the grooves are bubbling bubbling and the devil is a DJ smiling broadly.

At the end of making Grog, and recording the songs for the one after it, I began to start hallucinating music – I’d lay awake and dream entire songs, fully orchestrated, fully realized, that lasted hours and hours. This may mark the last point in my career that I had any vestige of sanity left, but who needed it anyway.

Grog is a drink they used to give sailors- basically, they were trying to stop the British navy from stockpiling their rum ration and then getting blotto and being useless the next day. So, this one admiral changed the ration so that the rum was diluted with water and a little lime juice, in a 4:1 water-rum ratio. The admiral always wore a grogram cloth, and everyone called him Old Grog, so his drink was grog too. I think I first heard of it playing The Secret of Monkey Island – one of the puzzles involves you using grog to burn through steel bars to break some guy out of prison.

You can do incredible things, things you would never in your wildest dreams think you were capable of; all you have to do is require them of yourself."

Love,
Daniel Bateman (October 2023)